Fifi Trixabelle: How to Capture Expression and Personality in a Portrait

Fifi Trixabel aka Mimi | portrait commission | Jane E Porter 2023

I’d like to share one of my favourite portrait paintings, Fifi Trixabelle. It’s a commissioned piece of Mimi, the daughter of one of my closest friends, Daisy Jo Bear. The story begins with Daisy Jo announcing, ‘By the way, I don’t really like portraits…’

Well, that was a kicker 🤪! How was I going to paint a portrait she’d love when she doesn’t like portraits? However, I love problem-solving; it’s like a drug to me, so I was up for the challenge.

Luckily, I was given carte blanche when it came to choosing the reference photo so I opted for the one that was the most ‘out there’. As artists, we have a trained eye to see potential in what may be considered a risky or even bad choice. Daisy Jo was a bit surprised by my choice but after, what felt like a long ponder said, ‘Go ahead. I trust you!’ And that was that.

The Portrait Painting Process

I approached the digital painting process in a similar way to how I’d create a piece in oils. I started off with sketches, then I did a watercolour and ink painting before moving to digital. I mixed the colours on the canvas (see the process video below) before applying them to achieve variations of the hues. The colour and textures were built up in layers, some transparent, others more opaque.

Mimi | watercolour painting

I try to emulate traditional methods when painting digitally, for example, using grainy pencil brushes to create hand-drawn elements and the use of broken colour, a kind of impressionist style I love. That’s achieved by using dry, textured brushes so that the hues underneath shine through. I think of it like scumbling in oils, a technique I have used traditionally for years.

In her true form, Mimi is a strawberry blonde. However, I cranked up the heat as I did with all the colours in the palette to make the painting really pop. Orange and blue work really well together because they are opposites on the colour wheel. When you use opposites, each colour stands out against the other. Conversely, when you mix opposite colours together, they become neutral, cancelling each other out. That’s not relevant here, but an art tip for creating neutral greys.

Art Bite: To make your paintings really pop, use opposite colours on the colour wheel. Each colour will stand out against its opposite.

The glitter on the hat and the sparkles in the background finished off the piece, adding a bit of a theatrical vibe, reminiscent of Mimi’s personality.

Capturing Expression and Personality

When painting a portrait, capturing expression and personality is paramount. It brings the piece to life and helps create a narrative.

In real life, Mimi has a captivating character. She is funny, creative and determined. Because she’s a child, she still possesses those qualities most of us desire; wonder, playfulness and authenticity. Expressing those qualities in a painting is a major component of its success. Mastering colour and composition we can learn and it only takes, a million or so, hours of practice. However, portraying personality takes a bit of research.

Here are a Few Tips

If it’s a commissioned portrait, we need to ask questions, for example, how would you describe his or her personality? I’ve put a link at the end of the article with descriptive words, but here are a few examples. 

Is he or she: 

• Quiet and introverted or the star of the show?
• Very feminine or more a tomboy?  
• Fiery and heroic or more of a bookworm?
• Laid-back or energetic?
• Gentle or mischievous?
• What are their hobbies and interests?

Because Mimi is energetic and vibrant, I chose a colour palette to reflect that. Using props can be another way to portray personality. The sparkly hat gives this piece a playful touch, another one of Mimi’s traits. The expression on her face, with her tongue out, adds attitude - carefree with a touch of cheekiness. It’s really important to consider all these elements when it’s a commission and check with the client. 

It is also a good idea to ask how they want to be portrayed. She may be quiet and reserved but would like to be expressed as confident or heroic.  You may be thinking of a calm and gentle personality, pastel hues and flowers 🤔, when in fact, she wants to be portrayed as a superhero. All of these features also add to the narrative.

Why is Narrative Important?

I’m inspired by artists from history such as Toulouse Lautrec, Frida Kahlo and Francis Campbell Cadell to name a few. I greatly admire the narrative element, a prominent feature in their art. Their paintings ignite stories in our imagination from first viewing, a concept I try to embrace and convey in my own work.

As humans, we love stories, we are hardwired to respond to narratives. Stories trigger our emotions, and imagination and save ideas to memory. They can even shape our beliefs and behaviours. When we see a story in a piece of art, we interpret it based on our own experiences, uncovering personal meaning. This is a good thing! Each such experience offers a little nudge forward on life’s journey. Anything that sparks our imagination is a little deposit in our self-discovery piggy bank.

The narrative behind Fifi Trixabelle is one of wonderment and the innocence of childhood. The lack of self-consciousness and embracing life as it is, are all key elements in the story. The painting can remind us of those latent qualities within ourselves, perhaps hidden but still there. I believe that owning our true self and our story can help to set us free. And that's a massive deposit in the piggy back.

Conclusion

To wrap up, we went from, 'I don't really like portraits' to OMG! how am I going to pull this off to crafting one of my prized pics. Oh, and Daisy Jo loved it - TG!

I hope you found this article enjoyable and engaging. If there’s anything you’d like to ask me about my process, narratives or anything else, please leave a comment below or reach out to me by following this link.

Wishing you a wonderful weekend.

Janee x

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Jane E Porter is a fine artist and illustrator from Scotland, dedicated to exploring and understanding the fascinating interplay between art, psychology and philosophy. As she navigates her own search for meaning, she shares insights and observations made over the past two decades with a delightful mix of wit and wisdom. Join her as she continues her journey, delving into these themes, offering you fresh perspectives and insights on art, identity and storytelling.

Resources

Helpful Adjectives

The Inspiration Myth: How to be a Creative Conqueror

Have you ever found yourself waiting for that elusive moment of inspiration when a brilliant idea will strike like lightning? You may ask or even beg your muse, which possesses the power to awaken even the sleepiest of senses and set your creative soul on fire, to please pay a visit. Or, you quietly hope she'll just show up unannounced, infusing you with a surge of optimism and enthusiasm. Hmmm, you are not alone, and it can happen, but it's somewhat romantic.

Sure, there are those rare instances when inspiration does strike like a bolt of lightning, but these awe-inspiring moments of creative genius can be a bit like finding a unicorn.

The truth is, inspiration comes from doing. If we want to be prolific artists, we have to make lots of art, whether our creative bird is in residence or not. Most of the time, she'll flutter in once we start spreading those creative wings. Of course, there will be days when the muse has taken an extended vacation, and that's okay. It might be a sign to take a break, explore different avenues, or indulge in a Netflix binge. As we grow as artists, we learn to understand and listen to our own creative spirit and respect that the ebbs and flows are a necessary part of the process. 

Ask any seasoned artist, and they'll tell you that the act of creating is what generates ideas and inspiration. It's putting pen to paper, brush to canvas, or fingers to keyboard that opens the channel to creative flow.  

However, rest is also important. According to Writer and artist Tim Kreider, 'idleness is necessary for productivity. Taking a break and doing nothing gives our brains a chance to sift through data, make connections, and creatively problem-solve using our unconscious mind.' 

Neuroscientist, Andrew Huberman posted, well everywhere, 'Neuroplasticity, your brain’s ability to change & learn, is a two-part process: 

1. Learning is triggered by focused attention, especially to novel, emotionally laden or otherwise meaningful events. 
2. Actual brain rewiring occurs during sleep, and other forms of deep rest.'

I'm not sure if Netflix counts as deep rest, but I think I will go with it. To get back to art and us creatives - inspiration is a byproduct of action and rest.  Every painting can't be a masterpiece, some you'll be super proud of, others, you'll want to disown.  Loads of my work ended up in the trash, some I even burned (I'm not advocating torching your work). Yet with persistence (and rest 😉) we hone our craft and learn to navigate the ups and downs of inspiration and lack of.   

Having said all that, we can nudge our inspiration along. Below are some of the places I find inspiration. I hope they will help you towards your own ideas. Making a list can be really helpful.

Inspirational Ideas

• Nature: Flowers, leaves, and gnarly tree bark catch my eye and I take photos for reference
• Movies: Especially those with psychological depth or moral dilemmas
• Comedy: We all need a good laugh. Comedy inspires me to add humour and joy to my work
• Humans: I'm fascinated by how we think and feel. I read a lot of psychology articles  
• The Media: What’s going on in the world, socio-political issues and injustices that can fuel and infuriate 
• Women: Inspiring women, activists, artists   
• Stories: Fact, fiction fantasy
• History: The tales of triumph and struggle 
• Technology: The world of tech and AI both fascinates and terrifies

Where The Wild Things Grow 

The inspiration for the painting above came from my ongoing research into the psychology of self-worth and the symbolism found in nature. The message is to dream big, even if we're feeling small and the flowers represent feminity, growth and transformation.

Thanks for reading until the end. If this post has sparked your inspiration, please consider leaving a comment or sharing the love by clicking on one of the social buttons below.

Have an incredible weekend, filled with inspiration, or have an inspirational weekend, filled with the incredible.

Janee x 

Jane E Porter is a fine artist and illustrator from Scotland, dedicated to exploring and understanding the fascinating interplay between art, psychology and philosophy. As she navigates her own search for meaning, she shares insights and observations made over the past two decades with a delightful mix of wit and wisdom. Join her as she continues her journey, delving into these themes, offering you fresh perspectives and insights on art, identity and storytelling.

Resources

The Scientific Case for Downtime

Neuroplasticity - Andrew Huberman

10 Mavericks Who Rock the Art World

From left to right: Kehinde Wiley, Randerson Romualdo Cordeiro 2008 | Jean-Michel Basquiat, Untitled 1982 |Shirin Neshat, Women of Allah, 1993-7

Hey there, creative cousins, Happy Friday! As the weekend approaches 😁 what better way to kick it off than with a sneak peek into the worlds of ten extraordinary artists? These pioneers go far beyond the conventional role of creators; they're visionaries, provocateurs, and renegades who fearlessly challenge society's mainstream definition of what art should be. So, let's embark on this artistic journey together and get ready to be inspired. Let's take a look and get inspired.

10 Influential Artists Defying Conventions

Jean-Michel Basquiat: With graffiti-inspired art, Basquiat critiqued power structures, race, and consumerism, leaving an indelible mark on contemporary culture.

Art Bite - Jean Michel-Basquiat’s Untitled (1982) had a pre-sale estimate in excess of $60 million, and was sold by Sotheby’s in 2017 for $110.5 million 😮

Yayoi Kusama: The infinity rooms and polka dots of Kusama mesmerise, offering a lens into the realms of mental health, obsession, and the infinite.

Ai Weiwei: Through art and activism, Weiwei challenges authority and censorship, becoming a global symbol of resistance.

Frida Kahlo: In her vivid self-portraits, Kahlo delved into pain and identity, boldly challenging societal norms of beauty and gender.

Kara Walker: Her silhouette art dismantles racial stereotypes and prompts critical dialogues on race.

Banksy: The enigmatic street artist critiques capitalism and social injustice, his works hidden in plain sight.

Jenny Holzer: Holzer's texts in public spaces provoke contemplation on feminism, consumerism, and violence.

Marina Abramović: Through performance art, Abramović pushes the limits of the human body and psyche, questioning what it means to be human.

Kehinde Wiley: His reinterpretation of European portraiture with African-American subjects challenges historical representations.

Shirin Neshat: Neshat's art explores gender, identity, and politics in the Middle East, offering a nuanced perspective.

In their defiance of convention, these artists remind us that art is not just about aesthetics but a powerful medium that reflects our shared human experiences. It invites us to question, reflect upon, and reimagine the world around us through the captivating art of storytelling.

Join the Conversation

I'm eager to hear about your experiences and thoughts on these remarkable artists who challenge the status quo. Which artist's work resonates with you the most, and why? Have you been inspired to explore new perspectives on art and creativity? Your insights and comments are invaluable, so please share them below.

Have a wonderful weekend. Artfully Yours

Janee x

For more art, follow me on Instagram and Facebook.

Jane E Porter is a fine artist and illustrator from Scotland, dedicated to exploring and understanding the fascinating interplay between art, psychology and philosophy. As she navigates her own search for meaning, she shares insights and observations made over the past two decades with a delightful mix of wit and wisdom. Join her as she continues her journey, delving into these themes, offering you fresh perspectives and insights on art, identity and storytelling.

Threads of Consequence: Faith, Hope and Plastic

From left to right: George Frederic Watts, Hope 1886 | Threads of Consequence, Jane E Porter 2023

Exploring Art's Impact on Environmental Awareness

In today's world, where art and environmental concerns intersect, a single stroke of inspiration can unravel a cacophony of meaningful reflections.

Art is more than just a visual spectacle; it is a dynamic conversation between artist and observer, where ideas and emotions take shape. While aesthetics and beauty may steal the spotlight, art's ability to ignite meaningful conversations about societal and environmental challenges is an essential aspect of its impact. 

Hope: A Symbolic Masterpiece

One such timeless masterpiece that continues to spark dialogue is George Frederic Watts enigmatic painting, 'Hope.' Painted in 1886, this symbolist painting invites viewers to delve into the realms of interpretation, and its resonance has endured for over a century. It stands as a testament to art's power to not only captivate the eye but also to inspire thought, foster connection, and shed light on the complexities of the human experience.

Watts chose to let the viewer interpret his paintings, a choice that can be both rewarding and frustrating for the audience. I often adopt a similar approach in my work, leaving interpretations somewhat open. This not only creates intrigue but allows the audience to find meaning or ideas that I have yet to discover.

Interpreting 'Hope': Insights from Art Critics

In this post, I'd like to explore some interpretations of 'Hope' made by art critics. I'll also draw parallels to contemporary art's role in addressing urgent issues, as exemplified by my own artwork, 'Threads of Consequence.' These parallels highlight the enduring power of art to reflect and shape our understanding of the world.

Hope and Its Enduring Resonance

This painting is often considered a timeless and universal image of hope's endurance. It became widely popular and was reproduced in various forms, making it one of the most recognized and enduring allegorical paintings of the 19th century.

The painting depicts a female figure sitting atop a globe, blindfolded and playing a lyre that has only a single string remaining. She appears to be deep in thought and concentration despite her lack of sight. The background is dark and sombre, possibly representing a sense of uncertainty or despair.

Exploring Symbolism in 'Hope'

The painting is renowned for its powerful symbolism and art critics have offered various interpretations over the years. Below are some critiques of the painting's meaning:

1. Symbol of Resilience: Some critics view the painting as a symbol of resilience and the human spirit's indomitable will to survive. Despite the broken strings, the woman continues to play, suggesting that hope persists even in the direst circumstances.
   
   
2. Commentary on Victorian Society: Others see the painting as a commentary on the social conditions of the Victorian era. The blindfolded figure represents the masses, blind to their plight, with the broken lyre symbolizing the broken promises of the era. The single unbroken string represents the slim hope that things could improve.
   
   
3. Fragility of Hope: The fragile lyre with a single string could also symbolize the delicate nature of hope itself. Watts might be conveying the idea that hope can be easily diminished or lost.
   
   
4. Personal Struggles: Some critics suggest that the painting reflects Watts's personal struggles. The blindfolded figure and the broken lyre symbolise his own feelings of despair and his struggle to find hope. Professionally, Watts's commitment to symbolic and allegorical subjects was often at odds with the tastes of the Victorian art establishment, which favoured more literal and narrative-based works. Despite his eventual success, he often felt misunderstood by critics and the public.

Overall, 'Hope' by George Frederic Watts is a poignant representation of the power of hope in the face of adversity. Its emotive imagery and symbolic elements have made it an enduring piece of art that continues to inspire and resonate with viewers worldwide.

I've always been drawn to the painting but, never have I considered it an emblem of hope. I can't help but wonder if Watts named the piece 'Hope' to make it more appealing to his Victorian audience. If it had been titled 'Despair', it may not have received the recognition it did.

From 'Hope' to 'Threads of Consequence'

Reflecting on Watts' 'Hope' and its various interpretations, I'd now like to introduce you to my own recent artwork, 'Threads of Consequence'. Much like 'Hope', 'Threads of Consequence' is allegorical and uses symbolism to heighten the impact and strengthen the narrative. It's a stark depiction of the environmental impact of the fashion industry, with each thread representing a different aspect of this complex issue. Unlike 'Hope', it tells a grim story about what's going on under our noses and in our closets. Let's take a deeper look into its metaphors and meaning.

Crafting 'Threads of Consequence'

I kicked off the creation of 'Threads of Consequence' with a study of a striking, black model, wearing a headscarf. Visually, she reminded me of Billie Holiday, who featured in an early series of mine, titled, 'The Tortured Soul Creates Art'. This series explored creative souls who had fallen prey to the tragedy of addiction. But let's get back to the portrait. My initial goal was to achieve a realistic representation and a charcoal effect using digital painting, which I believe I accomplished. Sure, using actual charcoal might have been easier, but the digital medium allowed me to save the completed piece as a new file and experiment with it. Ah, the joys of digital painting!

Navigating Artistic Challenges and Weaving the Narrative

The second version was an exercise in hatching, a technique I've never been particularly fond of. Armed with a 'get on with it, you'll learn something' attitude, I set to work. Initially, it was quite relaxing, therapeutic even, but my enthusiasm began to wane. In an attempt to rekindle my motivation, I found myself researching the drawings of Leonardo da Vinci and Rafael, hoping their mastery would inspire me to continue. It didn't, but I did manage to pass an hour or so and clock up my procrastination time. I then decided to leave it until the next day because tomorrow is the prime day for creativity and productivity.

The following day, I approached the piece with a fresh perspective. The research that had gone into 'Solitude', the Billie Holiday painting, had fascinated me as I was focusing on a narrative as well as an aesthetic. I found myself looking again at the image of the beautiful woman, who resembled a fashion model, and pondered how to make the piece more engaging. Beauty alone wasn't inspiring enough for me, so I asked myself, what story could I tell?

Environmental Awakening: Unveiling the Message

I toyed with the idea of having a pop at the fashion industry, particularly the sweatshop angle. However, I couldn't find decent data linking luxury brands to child labour, and she didn't strike me as an 'H&M' kind of girl. I considered an anti-war message, but her image didn't fit the profile. The pull towards the fashion industry was strong, so I knew I needed to find another angle and save the child labour conversation for another piece.

That's when I began researching environmental concerns around fashion, and then it hit me - pollution! Specifically, plastic pollution. A couple of years ago, I illustrated a children's book, 'The Green Fairy and the Lost Dog', which centred around single-use plastic. The author, Daisy-Jo Bear, is a dear friend of mine, but if the book had been about a prince on a white horse, I would have politely declined the offer, no matter how much I adore her. In preparation for the book, I'd read a lot about plastic pollution, so it was great to draw on that knowledge. It's good to recycle or upcycle your art and knowledge, as well as your plastic 😉.

Crafting the Message Through Aesthetics

'Threads of Consequence' is a powerful commentary on the fashion industry and its role in plastic pollution. The portrait features a black woman, her gaze directed upwards and away from the camera, expressing a sense of indignation and disbelief. Her camouflage headscarf symbolises the ongoing conflict we face with our environmental impact and the industry that perpetuates it.

The monochromatic palette, punctuated by the red in her eyes, serves as a stark reminder of the toxicity and harm caused by plastic waste. This red, reminiscent of blood, underscores the potential harm to our health and the severity of the environmental damage we're confronting.

I opted for a street art aesthetic to infuse the piece with a raw urban edge with a socio-political message. The skull and crossbones serve as a grim warning about the repercussions of our actions on the environment. In 'Threads of Consequence', the worlds of beauty and fashion intersect with environmental activism, creating a compelling call to action against plastic pollution.

Understanding Plastic Pollution

The Growing Threat of Microplastics

Plastic pollution has rapidly become a pervasive and pressing global issue with far-reaching implications. The unchecked production and disposal of plastic products have led to an alarming accumulation of plastic waste in our environment. From oceans and waterways to landfills, and even permeating the air we breathe, the ubiquity of plastic waste poses a significant threat to ecosystems and human health.

Microplastics are minuscule fragments of plastic debris present in the environment, resulting from the disposal and degradation of consumer products and industrial waste. Among environmental concerns, microplastics, especially those originating from the fashion industry, hold a substantial place.

The Silent Threat: Microplastics in Our Bodies

UK scientists discovered microplastics in the digestive systems of fish and shellfish, raising concerns about the safety of seafood consumption. Further studies were conducted to determine whether the greater threat came from consuming mussels or breathing air in a typical home. The conclusion was that people ingest more plastics from inhaling fibres shed by clothes and carpets than from consuming shellfish.

In 2022, scientists from the Netherlands and the UK found tiny particles of plastic deep within the lungs of surgical patients and in the blood of anonymous donors. This discovery shifted the focus towards the vast amount of airborne microplastics we are exposed to daily. These particles are so small that they can penetrate the human body and embed themselves deep within our cells.

Fashion's Role in Plastic Pollution

The Fast Fashion Connection

Image by Piyapong Saydaung

Fast Fashion refers to inexpensive clothing produced rapidly by mass-market retailers in response to the latest trends. A significant portion of today's fast fashion is made from cheap, synthetic, non-biodegradable plastic materials such as polyester, nylon, or acrylic. These materials shed microscopic fibres that become airborne and, when washed, release microplastics into our water supply, which eventually flow into our rivers and oceans.

The Accumulation of Waste: Fast Fashion's Impact

Research estimates suggest that over 14 million tonnes of microplastics have accumulated on the world’s ocean floor according to research estimates and the amounts are increasing every year. Fast fashion accounts for particularly high levels of such releases - over a third (35%) of all microplastics released into the world's oceans are from synthetic textiles. It is estimated that by 2050 we will have more plastic than fish in the ocean.

This alarming contribution perpetuates the microplastics crisis and underlines the crucial intersection between fast fashion and plastic pollution.

Confronting Uncertainty: Health Implications

The UK lung study identified particles made of plastics that are known to be toxic to humans, causing lung irritation, dizziness, headaches, asthma and cancer.

Albert A. Rizzo, recognized for his national contributions to the prevention and control of lung disease and serving as the Chief Medical Officer for the American Lung Association, states 'The science is too unclear to draw conclusions….. The most relevant analogy may be the decades-long effort to convince the government that smoking causes cancer. By the time we got enough evidence to lead to policy change, the cat was out of the bag. I can see plastics being the same thing. Will we find out in 40 years that microplastics in the lungs lead to premature ageing of the lungs or to emphysema? We don’t know that. In the meantime, can we make plastics safer?' Reference

A Creative Journey: From Art to Advocacy 

As I sit here, wrapped in my fleece (which, ironically, is probably shedding microplastics as we speak), I can't help but wonder: how did a simple task of creating a digital charcoal portrait lead me down this rabbit hole of plastic pollution? It's as if I set out to doodle a tree and ended up mapping the entire forest!

Embracing Change: A Call to Action

This topic's expanse is staggering, and I have only scratched the surface. If you'd like to learn more, I have listed a number of links below. They include my references and suggested steps we can take regarding our clothing-related impact on the environment. I have a lot more to learn and aim to make more conscientious consumer choices.

Join the Conversation

I'm eager to hear about your experiences and thoughts on this issue. Have you ever paused to consider the environmental footprint of your wardrobe? I'd love to hear your insights and comments. Your input would mean the world to me.

Have a wonderful weekend.

For more art, follow me on Instagram and Facebook.

 

Jane E Porter is a fine artist and illustrator from Scotland, dedicated to exploring and understanding the fascinating interplay between art, psychology and philosophy. As she navigates her own search for meaning, she shares insights and observations made over the past two decades with a delightful mix of wit and wisdom. Join her as she continues her journey, delving into these themes, offering you fresh perspectives and insights on art, identity and storytelling.

Resources

Microplastics are in our bodies. How much do they harm us?

Health Effects of Microplastic Exposures: Current Issues and Perspectives in South Korea

Detection of microplastics in human lung tissue using μFTIR spectroscopy

Microplastics from textiles: towards a circular economy for textiles in Europe

How fast fashion fuels climate change, plastic pollution and violence

Clean Laundry, Dirty Ocean!

How Plastic Pollution is Being Woven into Fast Fashion Culture

Microplastic Pollution and the Fast Fashion Industry

10 Simple Ways to Avoid Microplastics in Your Everyday Life

Microplastics: what they are and how you can reduce them

Our clothes shed microfibres – here’s what we can do

Fashion’s tiny hidden secret. So, what can we do?

What to Do About Microfibres in Clothing

Honouring the Iconic Frida Kahlo

Frida Kahlo | digital painting

Honouring the iconic Frida Kahlo.  Finding a unique way to capture her essence wasn't easy, given the abundance of stunning Frida portraits out there. Eventually, I decided to depict her in a Day of the Dead makeup, as I love the aesthetic and it feels like a fitting tribute to this remarkable artist. 

Frida Kahlo's talent and unwavering determination have always inspired me. Despite the harrowing accident she endured at just 18 years old, she continued to create breathtaking art, often painting from her bed. 

Frida is often considered a feminist artist. Her artwork and life experiences have greatly influenced feminist movements and discussions. Through her paintings, Kahlo explored themes of identity, gender, and the female experience. She portrayed her own struggles, physical pain, and emotions, challenging traditional gender roles and societal expectations. How could I not be an admirer 🥰 .

Please share any thoughts, questions, or suggestions in the comments below.

Have a wonderful weekend.

For more art, follow me on Instagram and Facebook.  

The Shadow in the Suit: A Jungian Perspective

What do your fantasies really say about you? Who are you in your wildest dreams? Accountant? Probably not. Siren, superhero? More likely.

This recent painting is about just that, a fantasy, a desire, the wish to be someone or something else. It symbolises the 'Hero' archetype, the 'Shadow', and the idealisation of the superhero. It's about that yearning to transcend our ordinary, perhaps boring lives, to embody something greater, something extraordinary where we feel respected and powerful.

The black suit - a mask, his heroic alter ego that he presents to the world - is also his 'Shadow'; his silent echoes, the aspects of himself he wishes to deny or hasn't yet awakened to. The painting tells a story of vulnerability squeezed into hiding by a façade of fantasy. In this portrayal of a young man, his longing to surpass his ordinary life is influenced by his cultural identity and the societal expectations that surround him.

Superheroes and the Power of Archetypes in Pop Culture

In the world of superheroes, costumes play a significant role. They are visual representations of the characters' identities, their powers, and their journeys. One of the most striking examples of this is Spider-Man's black and gold suit in the film 'No Way Home'.

Swiss psychiatrist Carl Jung, known for his exploration of the human psyche, didn't specifically discuss modern-day superheroes. However, his theories on archetypes, which are universal patterns or images residing in our collective unconscious, find relevance in superhero narratives as they tap into our deepest fantasies and desires.

The Hero's Journey: The Common Narrative in Superhero Stories

Archetypes, according to Jung's theory, are universal symbols, themes, or patterns that are deeply ingrained in the human psyche and shared across cultures. They represent fundamental human experiences and emotions that are part of our collective unconscious, meaning they are inherited and present in all of us. In superhero stories, these archetypal patterns often manifest as the hero's journey, the battle between good and evil, and the discovery of one's true identity. By recognizing and understanding archetypes, we gain insights into the deeper layers of storytelling and glimpses into our own lives within these captivating tales.

One of the key archetypes Jung identified is the 'Hero,' which aligns closely with the concept of a superhero. The Hero embarks on a journey, faces and overcomes challenges, often fights evil, and undergoes personal transformation. This Hero's Journey, as it's often called, is a common narrative in superhero stories.

Peter Parker's Transformation: Embracing the 'Shadow'

In the movie, 'No Way Home,' Peter Parker, aka Spider-Man, turns his red and blue suit inside out to reveal a black and gold version. This transformation of his iconic costume is more than just a very cool look I wish he'd held on to; it's a symbol of a darker time in Peter's life, a period marked by public mistrust and personal struggle. The alteration of his iconic costume serves as a visual metaphor for the internal conflict and transformation he undergoes during this pivotal part of the film's narrative.

This black suit can be seen as a manifestation of another Jungian archetype - the 'Shadow'. According to Jung, the 'Shadow' represents the darker, unconscious aspects of ourselves that we might deny or repress. In Peter's case, the act of turning the suit inside out to reveal the black suit, can be seen as a metaphor for bringing his 'Shadow' aspects to the surface, forcing him to confront and integrate them into his identity.

Discovering Ourselves Through the 'Shadow'

The 'Shadow' is not something negative to overcome, but a necessary part of our psyche to be acknowledged and accepted. Peter's journey in the black suit embodies this concept. It illustrates his internal struggle, a testament to the complexities of his character, and reminds us of the universal human experience of grappling with our darker sides.

In the realm of superheroes, Spider-Man's black suit stands out as a powerful symbol of the 'Shadow' archetype. It's a reminder that even in the world of superheroes, the journey towards self-understanding and transcendence is a crucial part of the story.

However, Spider-Man is not the only superhero grappling with their 'Shadow.' Take, for example, Batman, whose alter ego, Bruce Wayne, is driven by the trauma of witnessing his parents' murder, leading him to channel his anger and fear into vigilantism. Batman's dark, brooding persona is an embodiment of his 'Shadow,' representing his internal struggles and unresolved emotions.

Another compelling example is the Hulk, whose human counterpart, Bruce Banner, struggles with repressed anger and traumatic memories. The Hulk, a manifestation of his 'Shadow,' embodies the rage and power that Bruce tries to keep contained. This inner conflict between the mild-mannered scientist and the raging green behemoth is a constant battle for control, reflecting the complexities of the 'Shadow' archetype.

Beyond Superheroes: The 'Shadow' in Real-Life Figures

Beyond superheroes, the 'Shadow' archetype is evident in many real-life figures as well. Consider historical figures like Mahatma Gandhi, known for his nonviolent principles, yet facing his own internal struggles and doubts. Gandhi's 'Shadow' manifested as moments of doubt and temptation during his fight for India's independence, a struggle he openly acknowledged.

Similarly, in the business world, influential leaders often wrestle with their 'Shadow' traits. Steve Jobs, the co-founder of Apple, was renowned for his visionary leadership but also had a reputation for being demanding and uncompromising. His brilliance and ambition were undeniable, but they also led to internal conflicts and strained relationships with colleagues.

The above examples demonstrate that the 'Shadow' archetype isn't just present in superhero narratives, it's part of all of us. The conflicts and complexities of these characters and real-life figures resonate with us because they reflect our own internal battles.  Sometimes, we don't like certain traits in others, but could they be traits that we, in fact, possess ourselves? Do you know someone who is continually critical and controlling towards others, without awareness that they are indeed, the biggest culprit. These are examples of the 'Shadow' at work. By exploring and acknowledging our 'Shadow' aspects, we can learn valuable lessons about self-acceptance, personal growth, and the universal human journey towards wholeness.

Embracing and integrating the 'Shadow' is not about succumbing to darkness and becoming the villain of our own story, but a transformative journey towards self-awareness and personal growth. Awakening to our hidden aspects and unconscious desires allows us to achieve a greater understanding of ourselves. 

My portraits and characters have always been about telling stories, the life and persona behind the image. In my upcoming series for a book about archetypes, I'm creating characters based on reality and fiction, inspired by characters I've met, both in my mind and in my life. Their struggles may be more important than their strengths and powers as this is what makes them relatable; for example, the Warrior is not only fearless and courageous, she grapples with the burden of responsibility and her desire for retribution.

When we become open to our 'Shadow,' and embrace it, we unlock the potential to transform ourselves. By learning to own up to our true self, warts and all, we achieve a deeper connection with others as we no longer operate within the confines of a fictional character. And, we are far more powerful than we may believe. We have the power to change! We can soften our rough edges and find compassion for our shadow parts we wish to avoid, perhaps like the 'Warrior's' shadow that seeks retribution. 

To Wrap Up

The power of story lies in its ability to create connection, through words and images. We relate to the internal conflicts the protagonist is facing in the novels we read and the movies we consume. We secretly imagine ourselves donning the suit and saving the day. In that moment, we're not just observers, but part of the story. We're living the narrative, feeling the protagonist's struggles and triumphs as our own. This is the transformative power of story - it allows us to step into another's shoes, to see the world through their eyes, and perhaps, to understand ourselves a little better.

I hope you found this article engaging and entertaining.  If you did, please share the love by clicking on one of the share buttons.  And please share any thoughts, questions, or suggestions in the comments below.

Have a wonderful weekend.

For more art, follow me on Instagram and Facebook.  

image: The Shadow in The Suit

The Hitchhiker's Guide to Art and Allegory: The Power of Visual Storytelling

Who doesn't love a good story?  Storytelling in art is as old as the human race itself. It's the caveman's version of Netflix. From the primitive etchings on cave walls to the intricate hieroglyphics of ancient Egypt, humans have always had a penchant for a good yarn. And why wouldn't we? Stories are the spice of life, the universal language that connects us to each other.

Fast forward a few millennia and the art of visual storytelling continues. We traded in our cave walls for canvases, our chisels for brushes, creating remarkable religious paintings, like Michelangelo's awe-inspiring frescoes in the Sistine Chapel. Historical masterpieces, such as Rembrandt's 'The Night Watch' and Delacroix's 'Liberty Leading the People,' vividly narrate stories of bygone eras. Graphic novels and comics illustrate modern storytelling through art, with their unique art styles contributing to the overall mood and theme.

Installation artists like Yayoi Kusama and Christo and Jeanne-Claude have taken storytelling to new heights, crafting immersive experiences that delve into personal and societal issues. Street art and murals also embrace storytelling, as seen by Banksy's humorous, yet challenging spin on social and political matters. And murals serve as community biographies, sharing tales of history and culture, one wall at a time.

But why are we so drawn to stories in art? Well, it's all in our heads – literally. Our brains are hardwired to respond to narratives. Stories engage our emotions, spark our imagination, and can even shape our beliefs and behaviors. When we see a story in a piece of art, we're not just looking at it, we're interpreting it, connecting it with our own experiences and finding meaning in it.

And the best part? Stories stick. They linger in our minds long after we've left the gallery or closed the book. They're like a catchy tune – we may not remember the lyrics, but the melody stays with us.

So, whether it's a painting that takes you back in time, a comic strip that unfolds a gripping narrative, or an installation that immerses you in a new reality, storytelling in art has the power to move us, challenge us, and make us think. It's not just a tool for artists to express their vision, it's an invitation to step into their world and see a, potentially new perspective.

Let's take a look at three contemporary artists who use story to get their message out there…

Kara Walker, a true maestro of monochrome is known for her controversial exploration of race, gender and sexuality. Walker's black, silhouetted figures might seem simple at first glance, but they're anything but. Each silhouette is a chapter in the grim narrative of American slavery and racism. Her storytelling technique is both confrontational and deeply engaging, forcing us to grapple with uncomfortable truths.

Kara Walker | Slaughter of the Innocents 2016

Ai Weiwei, the Chinese contemporary artist and activist uses a variety of media - sculpture, installation, photography and film - to comment on cultural identity, individualism and government oppression, particularly related to his home country of China. His installation 'Sunflower Seeds,' comprising 100 million seeds individually handcrafted in porcelain, is more than just a sea of hand-painted seeds, it's a commentary on mass production and loss of individuality. 

Ai Weiwei | Sunflower Seeds |The Tate Modern CREDIT: Photo: GETTY

Art Bite - The Tate bought, approximately 8 million (10 tonnes) of the individual sculptures, less than a 10th of the installation in China, but still the largest number of works of art ever acquired.  

Marina Abramović, the 'grandmother of performance art' doesn't just tell stories; she lives them. She uses her own body as a canvas, pushing its limits to tell stories of human emotion and relationships. For her piece, 'The Artist is Present,' she sat in silent stillness as museum visitors took turns sitting across from her. No words, no movement, just a shared experience, an example of storytelling at its most intimate.

Marina Abramović | The Artist Is Present 2012 

Despite their different mediums and themes, all three artists share a common thread, they use their art to tell stories that provoke thought and stimulate discussion. In doing so, they have made a profound impact on the art world and the many who have experienced their work.  For example …

Kara Walker's work has been exhibited in prominent institutions worldwide, including the Museum of Modern Art and the Guggenheim. Her 2014 installation at the Domino Sugar Factory in Brooklyn, 'A Subtlety,' drew over 130,000 visitors and sparked widespread discussion about race and history in the media.

Ai Weiwei's 'Sunflower Seeds' installation at the Tate Modern in 2010 was a critical success, with The Guardian calling it a 'work of genius.' His activism and criticism of the Chinese government have also made international headlines, bringing attention to issues of human rights and freedom of expression in China.

Marina Abramović's 2010 performance at the Museum of Modern Art, 'The Artist is Present,' attracted over 850,000 visitors, with many reporting deeply emotional experiences. The performance was also the subject of a documentary, bringing performance art to a wider audience.

These examples demonstrate how each artist has made significant impacts in the art world and beyond, influencing public discourse and challenging societal norms.

To Wrap Up

Without context or an understanding of the narrative, it can be easy to look at works, such as those described in this article, and perceive them as 'just sunflower seeds' or 'simple paper cut-outs'. For sure, I've been guilty of such comments myself. But art isn't just about what meets the eye. Instead of a quick 'meh', let's ask, 'What's the artist really trying to say here? Is there something I'm not seeing because I'm caught up in aesthetic?' 

These pieces are stories, commentaries, and dialogues that invite us to see the world from a different perspective, perhaps one we may not want to consider. In my experience as an artist and a human, I've found that what I try to avoid usually evolves into the most transformative. Engaging with art goes beyond appreciating the artist's vision; it's about the effect the work has on us, stirring something deep within. Every story has the potential to change even a sliver of our identity.

If you can relate to the influence stories have played in your life, whether positive or negative, please share your thoughts and experiences in the comments below.  And if you enjoyed this article, please share the love.

Have a great weekend.    

Resources

Kara Walker | Slaughter of the Innocents

Kara Walker 

Ai WeiWei | Sunflower Seeds

Ai WeiWei | Sunflower Seeds at The Tate

Ai WeiWei and the Sunflower Seeds

Marina Abramović's | The Artist is Present

Marina Abramović's | The Artist is Present, Moma

Jane E Porter is a fine artist and illustrator from Scotland, dedicated to exploring and understanding the fascinating interplay between art, psychology and philosophy. As she navigates her own search for meaning, she shares insights and observations made over the past two decades with a delightful mix of wit and wisdom. Join her as she continues her journey, delving into these themes, offering you fresh perspectives and insights on art, identity and storytelling. 

Show, Don't Tell: The Artist's Guide to Keeping Secrets

Monet, Les Nymphéas - Musée de l'Orangerie

This article delves into the fascinating concept of the 'Show, Don't Tell' principle, creative expression, and Monet's final chapter.

In the realm of creative expression, there exists a captivating concept known as the 'Show, Don't Tell' principle.; It may sound like the name of a sex tape but, it's actually a technique used in various forms of storytelling, including writing, filmmaking, and visual art.  This technique offers the audience an immersive experience, allowing them to delve into the story and its characters through actions, thoughts, and emotions, rather than mere factual descriptions. It adds drama, sparks intrigue and keeps us eagerly hooked.

Consider, for a moment, the experience of reading a mystery novel—a fun exercise in piecing together clues and solving a puzzle. The author, skilfully conceals the culprit's identity, ensuring we remain in suspense, craving for more.  They present us with a series of events, characters, and clues, inviting us to connect the dots and unlock the secrets within.

Here's How It Works in Visual Art

Instead of telling you what to think or feel, artists give us visual clues, colours, shapes, and symbols to show us an interpretation of the world.  They tease and tempt us, creating moods, stories, and ideas, leaving us to ponder their deeper meanings. 

Like solving a mystery, the process of discovery speaks directly to our emotions and imagination, creating a personal and unforgettable experience.  The more profound our emotional response, the more lasting the memory.

By 'showing' rather than 'telling', artists can engage their audience on a deeper level, urging them to actively participate with the artwork and craft their own interpretations - the more imaginative, the better.  For artists yearn to fuel our creative sensibilities, inviting us to become co-creators in their evocative narrative.

Let's now turn our gaze to some examples of the 'Show, Don't Tell' principle in visual art:

From left to right: Dali, The Persistence of Memory 1931 | Pollock, Convergence 1952 | Rothko, Green, Blue, Green 1969 | Banksy, Show Me The Money 2005

• Impressionism: This movement was all about capturing the fleeting impressions of light and colour in a scene. Instead of telling us what to see, artists like Monet and Renoir offered a new way of looking at the world.
  
  
• Surrealism: Surrealist artists like Salvador Dalí immersed us in bizarre, dreamlike imagery to give a glimpse into the subconscious mind, left open to the audience's interpretation.  What does a melting clock mean to you?  The answer lies within your imagination.
  
  
• Abstract Expressionism: This movement was all about conveying emotion through colour and form. Artists like Jackson Pollock and Mark Rothko showed their inner feelings through their art, beckoning us to uncover our own emotional baggage landscape.  Digging into the emotions of Pollock or Rothko would require another post or two!!
  
  
• Street Art: Street artists like Banksy use their art to comment on social and political issues. Banksy shows us a number of perspectives on these issues, that include humour and poignancy.  They challenge us to question, to reflect, and engage.

Our own interpretations may prove more exciting and memorable than the artist's original intention—and that's perfectly fine. Trust me, I'm an artist!

Exploring Monet's Approach 

Now, let's take a deeper look into Impressionism, specifically Oscar-Claude Monet (14 November 1840 - 5 December 1926).

Monet, Waterlillies (1910)

A couple of weeks ago my brother and I visited Musée de l'Orangerie in Paris, home to 8 of Claude Monet's outstanding Nymphéas (Water Lillies).  Each panel stands tall at 6.5 feet (1.97m), and hangs on the curved walls of two egg-shaped rooms, covering an expansive surface area of 2,153 square feet (200 m2).  The ensemble is one of the largest monumental achievements of painting in the first half of the twentieth century.  

Upon entering the first room, I was immediately struck by the darkness of the paintings. This was unexpected, as my previous encounters with Monet's work, whether at Giverny, MOMA in New York, or in numerous books, had always been characterized by their vibrant light and vivid colours.  Could these dark, beautiful paintings be a reflection of Monet's inner sadness? 

Monet began working on the Water Lilies series for the Musée de l'Orangerie in 1914, a year marked by personal tragedy.  In 1911, he lost his second wife, Alice Hoschedé, and in 1914, his eldest son, Jean. Alice had played a significant role in Monet's life, providing him with emotional support and caring for their children.  His grief was profound, and his art became an indispensable medium for navigating the depths of sorrow.  As the last surviving Impressionist, Monet was also mourning the loss of his dear friends and fellow artists, especially Renoir and Cézanne.  Could the dark palette of the Water Lilies be a visual testament to these losses?

Monet's eyesight was also deteriorating, and after initial refusal, he underwent cataract surgery in 1923.  Post-surgery, he struggled with cyanopsia, a condition where everything appears to have a blue tint.  Frustration and self-doubt plagued him during this period, leading him to destroy some of his earlier works. However, by 1925, Monet's vision improved, and he was able to resume painting.

His postoperative works retained the impressionistic focus of light and colour but also exhibited characteristics of abstract art.  In other words, up close, we see heavy brush strokes, dabs of colour, and seemingly abstract shapes.  However, as we step back, something magical happens - our brains piece together the puzzle of abstract elements and the shapes and colours take on new meaning. We gain a glimpse of a tranquil pond dappled with water lilies and lush foliage. This departure from a more realistic representation gives us opportunity to put our own slant on what we see and feel. 

And so, how does the story of Les Nimphéas (Water Lilies) for Musée de l'Orangerie conclude?  The contract, signed between Monet and the French government on 12th April 1922, stipulated that he would donate the Nymphéas series of decorative panels to the French State.  But Monet wasn't ready to hand over his cherished creations.  He was a perfectionist and never fully satisfied with his work so the handover was repeatedly delayed.  Georges Clemenceau, a close friend of Monet and the Prime Minister of France, expressed his frustration.  He wrote, 'You are well aware that you have reached the limit of what can be achieved with power of the brush and of the mind.'

Undeterred by Clemenceu's letter, Monet continued to work on the 'Water Lilies' until his death in 1926. It was only after his death that the paintings were finally installed in Musée de l'Orangerie, where they remain on display today in the arrangement that Monet had envisioned.

To Condude

In conclusion, artists channel their emotions through their chosen medium. The darkness surrounding Monet's Water Lilies may not have been a conscious decision but rather a natural expression of the sadness and loneliness he experienced during those final years. This poignant example exemplifies the 'Show, Don't Tell', principle in art - where emotions and experiences are conveyed through visual elements rather than explicit descriptions.

As we reflect upon the 'Show, Don't Tell' principle in art, let's not confine its relevance solely to the realm of artistic creation. Instead, let's think about how it plays out in our own lives.  This is where the expression, 'art imitates life' is a good example of that very idea.  Are we adopting the 'Show, Don't Tell' principle without being aware of it?  Do we rely too heavily on being understood while leaving vital sentiments unspoken?  This type of non-verbal communication can often land us in the soup.  While a touch of mystery can be alluring, hoping others can figure us out, without any kind of explanation is an ambitious pursuit.  

We don't have to lay all our cards on the table, but recognising the importance of clear communication—a dialogue that bridges the gaps between our hearts and minds, allows us to craft deeper connections and understanding.  The 'Show, Don't Tell' principle teaches us the value of nuance, the power of visual cues and subtle gestures that speak volumes.  Knowing when and how to embrace it can, not only nourish our creative souls but enhance our relationships and daily lives.

I hope you found this article informative and entertaining.  If you did, please share the love by clicking on one of the share buttons below.  And please share any thoughts, questions, or suggestions in the comments below.

Have a wonderful weekend.

For more art, follow me on Instagram and Facebook.  

Resources

History of the Water Lilies Cycle  

Why Monet's Paintings of Water Lilies Are So Iconic 

How To Read Paintings: Monet’s Water Lilies  

Claude Monet “Water Lilies” – Impressions of Monet’s Water Lily Art  

The Effect of Cataracts and Cataract Surgery on Claude Monet 

A Mini Tutorial: Creating a Painting of Powder from the Arcane Series 🌟

I love the Arcane series on Netflix! I've watched it multiple times and fell in love with Powder – she's just so cute. 

A while back, I created this painting of her, and I thought it would be helpful to share a mini tutorial on how I did it. 

In this digital painting tutorial, I'll provide a step-by-step breakdown of the process, accompanied by a video so you can create your own Arcane-inspired masterpiece.

Enjoy!

Step-by-Step Breakdown:

Drawing the Outline:

• Start by drawing the outline of Powder on a new layer.
• Change the line layer to multiply to create a more subtle effect.

Creating the Base:

• Insert a new layer underneath the line layer and name it 'paint.'
• Begin by blocking in the skin using a mid-tone color.
• Proceed to block in the t-shirt, hair, and backpack.

Adding Shadows:

• Paint shadows using a dark, warm color to create depth and dimension.
• Include the main background color at this stage.

Refining Transitions:

• Use a soft brush or blender tool to soften hard edges.
• Focus on creating smooth transitions between light and shadows.
• Don't forget to add details to the bag and background.

Final Touches:

• Complete the painting by adding the eyes and hair clasps.
• Pay attention to small details that bring the character to life.

And there you have it! I hope you found this Arcane fanart tutorial helpful. If you enjoyed this content and would like to see more of my artwork and tutorials, make sure to follow me on Instagram @janeeporter.art.

If you found this tutorial valuable, I would greatly appreciate it if you could share it with your friends and fellow artists. Let's spread the knowledge and inspiration together!

Feel free to leave any questions or suggestions in the comments section below.  Happy painting! 🎨✨

The Art Aficionado's Guide to Dinner Party Domination

Art has a remarkable ability to stir emotions and spark imagination.  Yet, have you ever considered why people can have such diverse interpretations of the same piece of artwork? It's a fascinating phenomenon rooted in our unique psychological backgrounds and experiences. 

We all carry distinct psychological baggage, shaped by our upbringing, cultural influences, personal beliefs, and past experiences.  These elements intertwine to create a tapestry of thoughts and emotions, influencing our instantaneous and often unconscious reactions; 'Wow, that's mind-blowing!' or 'A child could have painted that!' 

Our brains have a knack for rapidly forming judgments such as 'that's cool or 'that sucks', with little thought or contemplation.  It's a fascinating interplay between our personal histories and the way our minds process information.  But are we missing out?

Well, yes, we are!  The proverb, 'Remember to stop and smell the roses' encourages us to take a beat, ponder, think a little, and be in the moment.  So, how can we be less judgy and more open?

1. Cultivate a Sense of Curiosity: Question your initial reactions, because who knows, that painting you dismissed as 'a bunch of random scribbles' might just hold the key to a creative revelation.  Or, it may just be a bunch of scribbles.  Life is full of surprises, and being open to different perspectives can help us navigate this crazy world we live in.
   
   
2. Engage in Conversation: A quiet chat or lively debate can be enlightening, especially over a glass of wine.  We can learn from each other if we are open to ideas and still on the first bottle 😉.  Sharing and discussing our interpretations with our art mates can offer new insights and challenge preconceived notions. Each person brings their own unique perspective, and by embracing these diverse viewpoints, we expand our understanding and appreciation of art.
   
   
3. Step out of your Comfort Zone: We tend to stick with what we like and what's familiar - it's like a cosy blanket.  This is a great idea when you don't want to grow anymore 🤔.  But, if you do, trying on something new can spark a cacophony of thoughts and feelings.  You may feel excited or enraged by what you see and feel.  And that's ok.  With time, you may find your mind changing, beliefs evolving, and a newfound appreciation for something once dismissed.  

By embracing or even contemplating, the wacky, the weird, and the wonderful, we become more interesting human beings and gain lots more dinner invitations.  

image: The Problem We All Live With (1964), Norman Rockwell

A Bit of Dinner Chat 

Norman Rockwell was primarily known as an illustrator, famous for his cover illustrations for The Saturday Evening Post. However, he had a deep interest in social and political issues, and he used his artistic talent to address these topics in his work.

Norman Rockwell's painting 'The Problem We All Live With' is a powerful and iconic artwork from 1964. It portrays Ruby Bridges, a six-year-old African American girl, as she courageously walks to a newly desegregated school in New Orleans during the Civil Rights Movement.

Rockwell's intention was to shed light on the racial tensions and challenges of the time, emphasizing the need for racial integration and provoking dialogue about the discrimination faced by African Americans.

The painting captures the injustice and hostility encountered by Bridges and other African American students integrating into all-white schools. Rockwell's choice to depict Bridges alone, at her eye level, invites empathy and personal connection.

The tomato splattered on the wall symbolizes racial hatred and opposition to desegregation. Through this artwork, Rockwell aimed to challenge prevailing racial prejudices, advocate for equality and unity, and bring attention to the urgent need for racial justice and social change.

A Bit of Neuro

So how can knowing the story behind the painting and the artist's intention change our perception and beliefs within the blink of an eye?  And how can this process be applied to other aspects of our lives?

When we gain new knowledge or encounter different perspectives, our brains light up with excitement. Neuroplasticity, the brain's ability to rewire and adapt, kicks into high gear. 

Research has shown that exposure to diverse ideas and experiences can reshape our neural networks, enhancing cognitive flexibility and creativity. It expands our mental horizons and helps us to break free from old patterns of thinking.  

Dopamine, often referred to as the 'reward molecule,' is released when we encounter something novel or stimulating. It fuels our curiosity and motivation, keeping us engaged and eager to explore further.

Serotonin, the 'feel-good' neurotransmitter, is also involved in this process. It promotes a positive mood and enhances our receptiveness to new information, priming our brains for growth and transformation.

This rewiring process not only enhances cognitive flexibility and creativity but also helps us break free from old patterns of thinking. It leads to profound shifts in how we perceive the world, opening our minds to new possibilities and innovative ideas.

So, when we engage with art, delve into history, explore different cultures, or simply embrace lifelong learning, we're not just expanding our knowledge, but also triggering a neurochemical cascade that fuels our brain's adaptability and growth.

If you enjoyed this post and are an exciting dinner guest, please share the love.  And share any stories in the comments, I'd love to hear them.

Have a cosy lively weekend!

Affair of the Art: Tradition vs. Tech – Who You Gonna Choose? 😉

Mona Lisa by the workshop of Leonardo da Vinci

In the realm of artistic expression, painting has long been a cherished medium.  But with the rise of digital technology, a new form of artistry has burst onto the scene - digital painting.  And, its caused quite a stir among artists and art enthusiasts regarding the merits of traditional painting versus digital.  Pfft!!  I think all art should be celebrated, regardless of the medium.

Sure, digital art is a relatively new concept for some, and there are those who think the computer does all the work which is far from the truth (okay, AI can do that, but that's a whole other discussion).  I can understand these ideas, but why not embrace the old and the new?

I love traditional and digital painting, and I'd like to share a bit about my experiences with both media.  As a traditional artist, I relish the tactile experience of brushes gliding across canvas, the heady scent of turpentine and the feel of paint beneath my fingers. It's a sensory feast that connects me deeply with my artwork.  But when I ventured into digital painting, a whole new world opened up.

The flexibility to experiment with endless brushes, colour combinations, and textures is incredibly liberating and a place where I can quickly push the boundaries.  And fixing mistakes is a breeze. If the background isn't working or the colours clash, I can easily make changes without destroying the entire piece.;

However, there are downsides to consider. It's easy to fall into the trap of perfectionism. I've lost track of the hours spent trying different backgrounds, palettes, and brushes, often over-rendering the piece and losing sight of its original intention or story. Decision-making becomes challenging when faced with endless options, leading to a loss of spontaneity—an essential element of artistic expression.

Too many brushes and layers can slow down your process as you keep switching between them, hindering spontaneous creativity 

Traditionally, my preferred medium is oils but I also enjoy watercolour and acrylics.  Watercolour is great because it kinda paints itself if you let it.  It's hard to control so you can end up with serendipitous outcomes which often make the piece.  While replicating this digitally is a challenge, I have used a watercolour painting as a starting point for a digital portrait, allowing its influence to guide my decisions on colour and texture.

Throughout my 20-year journey as a fine artist, there has been an undeniable charm to traditional drawing and painting that captures my heart. The physical materials, and the subtle nuances created by brushstrokes all contribute to a sense of craftsmanship in my work.  Stepping into the digital realm hasn't ended my love affair with fine art; instead, it has expanded my creativity.  We are allowed to love both 😉!

Part of being an artist or an enthusiast is being open to what we don't yet understand (AI excluded, of course 😝).  Digital painting is just another form of painting, no more or less valuable than its traditional counterpart. If Andy Warhol or Leonardo da Vinci were here today, I believe they would embrace it.  

If you got this far, thanks for sticking it out until the end, and if you enjoyed this post, please share the love.  

Have a great weekend 💕

Image : The Prado Mona Lisa, housed in the Museo del Prado in Madrid since 1819, was initially considered a less significant copy of Leonardo da Vinci's renowned Mona Lisa. However, after undergoing restoration in 2012, it is now recognized as the earliest known studio copy of Leonardo's masterpiece. Painted in the same studio as the original, it may have been created simultaneously by a student of Leonardo, potentially Salaì or Francesco Melzi. This version is deemed to hold significant historical value among the various copies of the Mona Lisa from the 16th and 17th centuries.