The Inspiration Myth: How to be a Creative Conqueror

Have you ever found yourself waiting for that elusive moment of inspiration when a brilliant idea will strike like lightning? You may ask or even beg your muse, which possesses the power to awaken even the sleepiest of senses and set your creative soul on fire, to please pay a visit. Or, you quietly hope she'll just show up unannounced, infusing you with a surge of optimism and enthusiasm. Hmmm, you are not alone, and it can happen, but it's somewhat romantic.

Sure, there are those rare instances when inspiration does strike like a bolt of lightning, but these awe-inspiring moments of creative genius can be a bit like finding a unicorn.

The truth is, inspiration comes from doing. If we want to be prolific artists, we have to make lots of art, whether our creative bird is in residence or not. Most of the time, she'll flutter in once we start spreading those creative wings. Of course, there will be days when the muse has taken an extended vacation, and that's okay. It might be a sign to take a break, explore different avenues, or indulge in a Netflix binge. As we grow as artists, we learn to understand and listen to our own creative spirit and respect that the ebbs and flows are a necessary part of the process. 

Ask any seasoned artist, and they'll tell you that the act of creating is what generates ideas and inspiration. It's putting pen to paper, brush to canvas, or fingers to keyboard that opens the channel to creative flow.  

However, rest is also important. According to Writer and artist Tim Kreider, 'idleness is necessary for productivity. Taking a break and doing nothing gives our brains a chance to sift through data, make connections, and creatively problem-solve using our unconscious mind.' 

Neuroscientist, Andrew Huberman posted, well everywhere, 'Neuroplasticity, your brain’s ability to change & learn, is a two-part process: 

1. Learning is triggered by focused attention, especially to novel, emotionally laden or otherwise meaningful events. 
2. Actual brain rewiring occurs during sleep, and other forms of deep rest.'

I'm not sure if Netflix counts as deep rest, but I think I will go with it. To get back to art and us creatives - inspiration is a byproduct of action and rest.  Every painting can't be a masterpiece, some you'll be super proud of, others, you'll want to disown.  Loads of my work ended up in the trash, some I even burned (I'm not advocating torching your work). Yet with persistence (and rest 😉) we hone our craft and learn to navigate the ups and downs of inspiration and lack of.   

Having said all that, we can nudge our inspiration along. Below are some of the places I find inspiration. I hope they will help you towards your own ideas. Making a list can be really helpful.

Inspirational Ideas

• Nature: Flowers, leaves, and gnarly tree bark catch my eye and I take photos for reference
• Movies: Especially those with psychological depth or moral dilemmas
• Comedy: We all need a good laugh. Comedy inspires me to add humour and joy to my work
• Humans: I'm fascinated by how we think and feel. I read a lot of psychology articles  
• The Media: What’s going on in the world, socio-political issues and injustices that can fuel and infuriate 
• Women: Inspiring women, activists, artists   
• Stories: Fact, fiction fantasy
• History: The tales of triumph and struggle 
• Technology: The world of tech and AI both fascinates and terrifies

Where The Wild Things Grow 

The inspiration for the painting above came from my ongoing research into the psychology of self-worth and the symbolism found in nature. The message is to dream big, even if we're feeling small and the flowers represent feminity, growth and transformation.

Thanks for reading until the end. If this post has sparked your inspiration, please consider leaving a comment or sharing the love by clicking on one of the social buttons below.

Have an incredible weekend, filled with inspiration, or have an inspirational weekend, filled with the incredible.

Janee x 

Jane E Porter is a fine artist and illustrator from Scotland, dedicated to exploring and understanding the fascinating interplay between art, psychology and philosophy. As she navigates her own search for meaning, she shares insights and observations made over the past two decades with a delightful mix of wit and wisdom. Join her as she continues her journey, delving into these themes, offering you fresh perspectives and insights on art, identity and storytelling.

Resources

The Scientific Case for Downtime

Neuroplasticity - Andrew Huberman

A Mini Tutorial: Creating a Painting of Powder from the Arcane Series 🌟

I love the Arcane series on Netflix! I've watched it multiple times and fell in love with Powder – she's just so cute. 

A while back, I created this painting of her, and I thought it would be helpful to share a mini tutorial on how I did it. 

In this digital painting tutorial, I'll provide a step-by-step breakdown of the process, accompanied by a video so you can create your own Arcane-inspired masterpiece.

Enjoy!

Step-by-Step Breakdown:

Drawing the Outline:

• Start by drawing the outline of Powder on a new layer.
• Change the line layer to multiply to create a more subtle effect.

Creating the Base:

• Insert a new layer underneath the line layer and name it 'paint.'
• Begin by blocking in the skin using a mid-tone color.
• Proceed to block in the t-shirt, hair, and backpack.

Adding Shadows:

• Paint shadows using a dark, warm color to create depth and dimension.
• Include the main background color at this stage.

Refining Transitions:

• Use a soft brush or blender tool to soften hard edges.
• Focus on creating smooth transitions between light and shadows.
• Don't forget to add details to the bag and background.

Final Touches:

• Complete the painting by adding the eyes and hair clasps.
• Pay attention to small details that bring the character to life.

And there you have it! I hope you found this Arcane fanart tutorial helpful. If you enjoyed this content and would like to see more of my artwork and tutorials, make sure to follow me on Instagram @janeeporter.art.

If you found this tutorial valuable, I would greatly appreciate it if you could share it with your friends and fellow artists. Let's spread the knowledge and inspiration together!

Feel free to leave any questions or suggestions in the comments section below.  Happy painting! 🎨✨

Affair of the Art: Tradition vs. Tech – Who You Gonna Choose? 😉

Mona Lisa by the workshop of Leonardo da Vinci

In the realm of artistic expression, painting has long been a cherished medium.  But with the rise of digital technology, a new form of artistry has burst onto the scene - digital painting.  And, its caused quite a stir among artists and art enthusiasts regarding the merits of traditional painting versus digital.  Pfft!!  I think all art should be celebrated, regardless of the medium.

Sure, digital art is a relatively new concept for some, and there are those who think the computer does all the work which is far from the truth (okay, AI can do that, but that's a whole other discussion).  I can understand these ideas, but why not embrace the old and the new?

I love traditional and digital painting, and I'd like to share a bit about my experiences with both media.  As a traditional artist, I relish the tactile experience of brushes gliding across canvas, the heady scent of turpentine and the feel of paint beneath my fingers. It's a sensory feast that connects me deeply with my artwork.  But when I ventured into digital painting, a whole new world opened up.

The flexibility to experiment with endless brushes, colour combinations, and textures is incredibly liberating and a place where I can quickly push the boundaries.  And fixing mistakes is a breeze. If the background isn't working or the colours clash, I can easily make changes without destroying the entire piece.;

However, there are downsides to consider. It's easy to fall into the trap of perfectionism. I've lost track of the hours spent trying different backgrounds, palettes, and brushes, often over-rendering the piece and losing sight of its original intention or story. Decision-making becomes challenging when faced with endless options, leading to a loss of spontaneity—an essential element of artistic expression.

Too many brushes and layers can slow down your process as you keep switching between them, hindering spontaneous creativity 

Traditionally, my preferred medium is oils but I also enjoy watercolour and acrylics.  Watercolour is great because it kinda paints itself if you let it.  It's hard to control so you can end up with serendipitous outcomes which often make the piece.  While replicating this digitally is a challenge, I have used a watercolour painting as a starting point for a digital portrait, allowing its influence to guide my decisions on colour and texture.

Throughout my 20-year journey as a fine artist, there has been an undeniable charm to traditional drawing and painting that captures my heart. The physical materials, and the subtle nuances created by brushstrokes all contribute to a sense of craftsmanship in my work.  Stepping into the digital realm hasn't ended my love affair with fine art; instead, it has expanded my creativity.  We are allowed to love both 😉!

Part of being an artist or an enthusiast is being open to what we don't yet understand (AI excluded, of course 😝).  Digital painting is just another form of painting, no more or less valuable than its traditional counterpart. If Andy Warhol or Leonardo da Vinci were here today, I believe they would embrace it.  

If you got this far, thanks for sticking it out until the end, and if you enjoyed this post, please share the love.  

Have a great weekend 💕

Image : The Prado Mona Lisa, housed in the Museo del Prado in Madrid since 1819, was initially considered a less significant copy of Leonardo da Vinci's renowned Mona Lisa. However, after undergoing restoration in 2012, it is now recognized as the earliest known studio copy of Leonardo's masterpiece. Painted in the same studio as the original, it may have been created simultaneously by a student of Leonardo, potentially Salaì or Francesco Melzi. This version is deemed to hold significant historical value among the various copies of the Mona Lisa from the 16th and 17th centuries.